oncemore jens massel alias senking proves his ability to capture new rooms and places and the different people who inhabit these spaces. without losing his
take-off point, without losing his may unknown object. wellnigh incalculable thoughtful but steady progress making, headway making.

where ping showed him flirting with the enthusiasm of the dancefloor, the four pieces of thaw turn their back on: the vexation, the contrary, the unexpected
moves in the centre of interest. now gloomy, now gay, now sweet and tender crackling, now harsh and pitiless banging – each track leads any musical rule and settlement up the garden path.

jens massel’s playful keenness on experimenting is neither drifted away nor silly, his open-mindness neither tensed-up nor naive. it’s fun to take part in
his artistic development and fun to listen how much fun he has in developing his skills. in one breath senking carries you away and leaves you disturbed behind.