JENS MASSEL IS A TRUE ARTIST.
he is a curious person, like every artist should be. but sadly enough we are positive that only a handful of them are. jens massel is never satisfied. he is
longing. he is struggling. he is gain by fighting for every single note. and – be sure – his yields even suprise himself.

AFTER FEELING AT HOME WITH SENKING AND KANDIS,
you may rated his debut as fumble (kk#12) as too ostensible playful – for all its nice and friendly melodies. now with melo you’ll be definitely caught from the first take on: the airy chip starts with tight and dry beats. and you’ll have to listen quite conscientiously to discover all the cuteness of fumble’s tonality.

MELO IS A LIGHT AND DELICATE RECORD.
we’re not talking about a playground at midnight. we’re talking about slightness in its taoistic sense: gentle, relaxed and awaken. with a grown
self-confidence since the first release of fumble. melo is direct, clear and straight-ahead. and in catch you can watch both of jens massel’s eyes focussing the dance-floor.

LAST BUT NOT LEAST
the tiny piece gawk and the true romance passing prove the rare and exceptional ability of jens massel to stir up reflections and rooms – without following any rules nor rulers.